Is it possible to make a flat, lumbering and tedious film about a notorious serial killer? The answer is yes.
“Everything I learned I learned from the movies.”
― Audrey Hepburn
“Everything I learned I learned from the movies.”
― Audrey Hepburn
Is it possible to make a flat, lumbering and tedious film about a notorious serial killer? The answer is yes.
Writer-director discusses the state of independent film and what inspired his suspense-drama "Mekko."
For better or worse, this page-turner of a movie that resorts to a grab bag of gimmicks to maintain its hold on the audience's attention.
The brilliance of this documentary is not just its merciless take on the scandal itself - but its entertaining and gripping behind-the-scenes look at a campaign team in constant damage control while supporting a candidate who is apparently intent on self destructing.
They may not dunk or go 10-for-10 from behind the arc, but these athletes are serious about basketball and they absolutely ball hard.
This somber and haunting documentary offers an evocative look back at Isaac Babel, an acclaimed artist that also serves as a cautionary tale for the modern world.
Despite the fact that the Russian playwright, journalist and author has been dead for more than 75 years, filmmaker David Novack believes Babel is as relevant today as he was in the 1920s.
First and foremost, this documentary about cats isn't merely for cat people.
Although this may not be among Jane Austen’s best known works, this adaptation is arguably the strongest translation of Austen to the cinema yet.
Director Nathan Williams discusses why he filmed his dramatic thriller in the desolate stretches of Washington state.
The origin of Haakon IV of Norway is the stuff of legend. The story is every bit extraordinary as it is unbelievable
This inspiring and candid documentary takes a strong case why every true student of basketball should know the name Spencer Haywood.
Woody Allen's latest comedy is breezy and entertaining romp through the glitz of old Hollywood.
While its cynical insights into modernity are intriguing (if obvious), this film is a little too scatterbrained to deliver its ambitious damning indictment against social elitism.
Make no mistake, this is not merely some sort of half-baked "Avengers 2.5."
The gradual unravelling of Ernest Hemingway set against the Cuban revolution deserves a better film treatment than this clunky and deeply troubled docudrama.
Director Garry Marshall's latest ensemble comedy is a terribly flawed movie -- but it has one critical and fundamental flaw: it is simply not funny.
This pretty funny comedy lacks the wall-to-wall absurdity of the duo's sketch show - but it retains just enough of their outlandish humor to distinguish itself from so many other bland action comedies.
Creator of "Happy Days" and director of "Pretty Woman" chats about his new ensemble comedy.